People We Meet on Vacation

NEW ORLEANS.

Alex is curious about the architecture—all those old Crayola-colored buildings with their wrought-iron balconies and the ancient trees writhing up right through the sidewalks, roots sprawling out for yards in every direction, breaking up cement like it’s nothing. The trees predate it, and they’ll outlast it.

I’m excited for alcohol in slushy form and kitschy supernatural shops.

Luckily there is no shortage of any of it.

I’m thrilled to find a large studio apartment not far from Bourbon Street. The floors are stained dark, and the furniture is heavy wood, and colorful paintings of jazz musicians hang on exposed brick walls. The beds are cheap looking, as is the bedding, but they’re queens, and the place is clean, and the air-conditioning game is so strong we have to crank it down so that every time we come in after a day in the heat, our teeth don’t chatter.

All there really is to do in New Orleans, it seems, is walk, eat, drink, look, and listen. This is basically what we do on every trip, but the fact is underscored here by the hundreds of restaurants and bars sitting shoulder to shoulder on every slender street. And the thousands of people milling through the city with tall neon novelty cups and mismatched straws. Every block or so the smells of the city switch from fried and delicious to stinking and rotten, the humidity trapping the sewage and putting it on display.

Compared to most American cities, everything looks so old that I imagine we’re smelling waste from the 1700s, which miraculously makes it more bearable.

“It feels like we’re walking around inside someone’s mouth,” Alex says more than once about the humidity, and from then on, whenever the smell hits, I think of food trapped between molars.

But the thing is, it never lasts. A breeze sweeps through to clear it out, or we wander past another restaurant with all its doors propped open, or we round the corner and stumble onto some beautiful side street where every balcony overhead is dripping with purple flowers.

Besides, I’ve been in New York for five months now, and during the last two months of summer, it’s not like my subway stop has smelled like roses. I’ve seen three different people peeing on the steps inside, and watched one of those people do it a second time a week later.

I love New York, but, wandering New Orleans, I wonder if I could be just as happy here. If maybe I could be happier. If maybe Alex would visit me more often.

So far he’s visited New York once, a few weeks after his first year of grad school ended. He brought a carload of my stuff from my parents’ house to my apartment in Brooklyn, and on the last day of his trip, we compared calendars, talked about when we’d next see each other.

The Summer Trip, obviously. Possibly (but probably not) Thanksgiving. Christmas if I could get time off work at the restaurant where I’m serving. But everyone wants off for Christmas, so instead I floated the idea of New Year’s Eve and we agreed to figure it out later.

So far we haven’t talked about any of that on this trip. I haven’t wanted to think about missing Alex while I’m with him. It seems like a waste.

“If nothing else,” he joked, “we’ll always have the Summer Trip.”

I had to actively decide to see that as comforting.

From morning until hours after dark, we wander. Bourbon Street and Frenchmen, and Canal and Esplanade (Alex is particularly enamored of the stately old houses on this street, with their overflowing flower beds and sun-blanched palms rising up alongside craggy oaks).

We eat fluffy, sugar-dusted beignets in an open-air café and spend hours picking our way through the knickknacks being sold outside the French Market (alligator-head key chains and silver rings set with moonstones), the freshly baked breads and chilled local produce and dense little cakes topped with kiwi and strawberries and bourbon-soaked cherries and pralines (in every imaginable manner) being sold in the booths inside.

We drink Sazeracs and hurricanes and daiquiris everywhere we go, because “Staying on theme matters,” as Alex says dramatically when I try to order a gin and tonic, and from there, we have both our mantra and our alter egos for the week.

Gladys and Keith Vivant are a Broadway power couple, we decide. True performers, to their very cores, and as their matching tattoos read, All the world’s a stage!

They start every day with some acting exercises, stick to one prompt for a whole week at a time, letting it guide their every interaction so as to better inhabit the Character.

And theme, of course, is vital.

Or, you could say, it matters.

“Theme matters!” we scream back and forth, stomping our feet whenever we want each other to do something the other isn’t thrilled about.This text is property of Nô/velD/rama.Org.

There are a whole lot of vintage stores that seem to have never been cleaned before, and Alex is not thrilled about trying on the suede leather pants I pick out for him in one of these, just as I am not thrilled when he wants to spend six hours in an art museum.

“Theme matters!” I shout when he refuses to enter a bar with an—no joke—all-saxophone band playing in the middle of the day.

“Theme matters!” he cries when I say I don’t want to buy shirts that say Drunk Bitch 1 and Drunk Bitch 2 like those Thing 1 and Thing 2 shirts they sell at theme parks, and we leave the shop wearing the shirts over our clothes.

“I love when you get weird,” I tell him.

He squints tipsily at me as we walk. “You make me weird. I’m not like this with anyone else.”

“You make me weird too,” I say; then, “Should we get real tattoos that say ‘All the world’s a stage’?”

“Gladys and Keith would,” Alex says, taking a long drink from his water bottle. He passes it to me afterward, and I greedily chug half of it.

“So that’s a yes?”

“Please don’t make me,” he says.

“But, Alex,” I cry. “Theme matt—”

He pops the water bottle back into my mouth. “Once you’re sober, I promise you won’t think it’s funny anymore.”

“I will always think every joke I make is hilarious,” I say, “but point taken.”

We hit happy hour after happy hour, with varying results. Sometimes the drinks are weak and bad, sometimes they’re stiff and good, often they’re stiff and bad. We go to a hotel bar that’s mounted to a carousel and each buy one fifteen-dollar cocktail. We go to, allegedly, the second-oldest continuously operating bar in Louisiana. It’s an old blacksmith shop with sticky floors that looks like a half-assed living museum, except for the gigantic trivia machine set up in the corner.

Alex and I sip slowly on one shared drink while we wait our turn. We don’t break the record, but we make the scoreboard.

The fifth night, we wind up at a fratty karaoke bar with an over-the-top stage and laser-lights show. After two shots of Fireball, Alex agrees to sing Sonny and Cher’s “I Got You Babe” onstage in character as the Vivants.

Halfway through the song, we get into a miked fight about the fact that I know he’s sleeping with Shelly from makeup. “It doesn’t take an hour to put on a freaking fake beard, Keith!” I shout.

The applause at the end is muted and uncomfortable. We take another shot and head to a place Guillermo told me about that serves a frozen coffee cocktail.

Half the places we’ve gone have been places Guillermo recommended, and I’ve loved all of them, especially the hole-in-the-wall po’boy shop. Having a chef for a boyfriend has perks.

When I told him where Alex and I were going, he got out a piece of paper and started writing down everything he could remember from his last trip, along with notes about pricing and what to order. He starred all his must-eats, but there’s no way we’ll get to all of them.

I met Guillermo a couple months after moving to New York. My new (first New York) friend Rachel got a request to eat at his new restaurant for free, in exchange for posting a few pictures of it on her social media. She does that kind of thing a lot, and since I’m a fellow Internet Person, we do these sorts of things together.

“Less embarrassing,” she insists. “Plus cross-promotion.”

Every time she posts a picture with me, my subscriber count goes up by hundreds. I’d been hanging around thirty-six thousand for six months, but have ballooned to fifty-five thousand through sheer association with Her Brand.

So I went with her to this restaurant, and after the meal, the chef came out to talk to us, and he was gorgeous and sweet, with soft brown eyes, dark hair swept back off his forehead. His laugh was soft and unassuming, and by that night, he’d messaged me on Instagram, before I could even post the pictures I’d taken to my account.

He found me through Rachel, and I liked the way he told me that right up front, without embarrassment. He works most nights, so on our first date, we went for breakfast instead, and he kissed me when he picked me up rather than waiting until he dropped me off afterward.

At first, I was seeing a few other people and he was too, but several weeks into it, we decided neither of us wanted to see anyone else. He laughed when he told me, and I laughed too, just because I’d gotten in the habit of giving encouraging laughter from being around him.

It’s not like it was with Julian, not all-consuming and unpredictable. We see each other two or three times a week, and it’s nice, the way this leaves space in my life for other things.

Spin classes with Rachel and long walks down the mall of Central Park with a dripping ice cream cone in hand, gallery openings and special movie nights at neighborhood bars. People in New York are friendlier than the rest of the world warned me they would be.

When I tell Rachel this, she says, “Most people here aren’t assholes. They’re just busy.”

But when I say the same thing to Guillermo, he gently cups my jaw, laughs, and says, “You are so sweet. I hope you don’t let this place change you.”

It’s sweet, but it also worries me. Like maybe the thing Gui loves best about me isn’t some essential part, but something changeable, something that could be stripped away by a few years in the right climate.

As we wander the streets of New Orleans, I think multiple times of telling Alex about what Guillermo said, but every time I catch myself. I want Alex to like Guillermo, and I worry he’d be offended on my behalf.

So I tell him other things. Like how calm Guillermo is, that he laughs easily, how passionate he is about his job, and food in general.

“You’ll like him,” I say, and I really believe it.

“I’m sure I will,” Alex insists. “If you like him, I’ll like him.”

“Good,” I say.

And then he tells me about Sarah, his unrequited college crush. He ran into her when he was up in Chicago visiting friends a few weeks ago. They grabbed a drink.

“And?”

“And nothing,” he says. “She lives in Chicago.”

“It’s not Mars,” I say. “It’s not even that far from Indiana University.”

“She’s been texting me a little,” he admits.

“Of course she is,” I say. “You’re a catch.”

His smile is bashful and adorable. “I don’t know,” he says. “Maybe next time I’m in town we’ll meet up again.”

“You should,” I press.

I’m happy with Guillermo, and Alex deserves to be happy too. Any tension that five percent of our relationship—the what-if—let in seems to have been resolved.

While staying in the French Quarter had seemed ideal when I booked our Airbnb, it turns out the nights are pretty loud. The music goes on until three or four and starts up surprisingly early in the morning. We find ourselves venturing to the rooftop pool at the Ace Hotel, which is free on weekdays, and napping on a couple of chaise lounges in the sun.

It’s probably the best sleep I get all week, so by the time we take the cemetery tour on the last day of the trip, I’m slaphappy from fatigue. Alex and I expected haunting ghost stories. Instead we get information about how the Catholic Church cares for some graves—the ones for which people bought “perpetual care” generations ago—and lets the others crumble to dust.

It is decidedly boring, and we’re baking in the sun, and my back hurts from walking in sandals all week, and I’m exhausted from barely sleeping, and halfway through, when Alex realizes how miserable I am, he starts raising his hand every time we stop at another grave for more bland factoids and asking, “So is this grave haunted?”

At first our tour guide laughs his question off, but he’s less amused every time it happens. Finally, Alex asks about a big white marble pyramid at odds with the rest of the stacked, rectangular French- and Spanish-style graves, and the tour guide huffs, “I certainly hope not! That one belongs to Nicolas Cage!”

Alex and I deteriorate into cackles.

It turns out he’s not joking.

This was supposed to be a big reveal, probably with a built-in joke, and we ruined it. “Sorry,” Alex says, and passes him a tip as we’re leaving. I’m the one who works in a bar, but he’s the one who always has cash.

“Are you secretly a stripper?” I ask him. “Is that why you always have cash?”

“Exotic dancer,” he says.

“You’re an exotic dancer?” I say.

“No,” he says. “It’s just helpful to carry cash.”

The sun is going down, and we’re both bone-tired, but it’s our last night, so we decide to get cleaned up and rally. While I’m sitting on the floor in front of the full-length mirror, putting on makeup, I peruse Guillermo’s list and shout out suggestions to Alex.

“Eh,” he says after each one. After a handful, he comes to stand behind me, making eye contact in the mirror. “Can we just wander?”

“I’d love to,” I admit.

We hit a couple dingy pubs before we wind up at the Dungeon, a small, dark goth bar at the end of a skinny alleyway. We’re told that pictures are expressly forbidden, before the bouncer lets us into the red-lit front room. It’s so packed that I have to hold on to Alex’s elbow as we make our way upstairs. There are plastic skeletons hanging on the wall, and a red-satin-lined coffin stands waiting for a photo op that you’re not allowed to take.

Despite our mantra for this trip, and all the free personal shopping I’ve done for him, Alex has continued to largely loathe themed parties, events, and apparently bars too.

“This place is horrible,” he says. “You love it, don’t you?”

I nod, and he grins. We have to stand so close I have to tip my head all the way back to see him at all. He brushes my hair from my eyes and cups the back of my neck, as if to stabilize it. “I’m sorry for being so tall,” he says over the metal music thrumming through the bar.

“I’m sorry for being so short,” I say.

“I like you short,” he says. “Never apologize for being short.”

I lean into him, a hug minus the arms. “Hey,” I say.

“Hey, what?” he asks.

“Can we go to that country-western bar we passed?”

I’m sure he doesn’t want to. I’m sure he finds the whole thing humiliating. But what he says is, “We have to. Theme matters, Poppy.”

So we go there next, and it’s the polar opposite of the Dungeon, a big open bar with saddles for seats and Kenny Chesney blaring out to no one but us.

Alex is chagrined at the thought of sitting on the saddles, but I hop up and try to make his Sad Puppy Face at him.

“What is that?” he says. “Are you okay?”

“I’m being pathetic,” I say. “So that you will please make me the happiest woman in the state of Louisiana and sit on one of these saddle seats.”

“I can’t decide if you’re too easy to please or too hard,” he says, and swings one leg over, pulling himself onto the saddle next to mine. “Excuse me,” he says, to a burly bartender in a black leather vest. “Give me something that will make me forget this ever happened.”

Still polishing a glass, he turns and glares. “I’m no mind reader, kid. What do you want?”

Alex’s cheeks flush. He clears his throat. “Beer’s fine. Whatever you’ve got.”

“Make that two,” I say. “Two of those alcohols, please.”

As the bartender turns to get our drinks, I lean over to Alex and almost fall off my saddle in the process. He catches me and holds me up as I whisper, “He’s so on theme!”

It’s only eleven thirty when we leave, but I’m wiped out and as unthirsty as I’ve ever been in my life. So we just walk down the middle of the street with all the other revelers: families in matching reunion T-shirts; white-clad brides with silky pink BACHELORETTE sashes and towering heels; drunk middle-aged men hitting on the girls in pink BACHELORETTE sashes, stuffing dollar bills in their dress straps as they walk past.

Overhead, people line the upstairs balconies of bars and restaurants, waving purple, gold, and green beads around, and when a man wolf-whistles and shakes a handful of necklaces at me, I hold my arms up to catch them. He shakes his head and pantomimes lifting his shirt up.

“I hate him,” I say to Alex.

“Me too,” Alex agrees.

“But I have to admit, he is on theme.”

Alex laughs, and we walk onward, with no destination in mind. Gradually, the foot traffic slows as we approach a brass band (saxophone-and-other-woodwind free) that’s set up shop in the middle of the street, horns blasting, drums rattling. We stop to watch, and a few couples start dancing. In the twist of the century, Alex offers me his hand, and when I take it, he twirls me in a lazy circle and pulls me in close, one hand around my back, the other folded against mine. He rocks me back and forth, and we both giggle sleepily. We’re not on the beat, but it doesn’t matter. It’s just us.

Maybe that’s why he can handle the public affection. Maybe, like me, when we’re together he feels like no one else is there, like they’re phantoms we dreamed up as set dressing.

Even if Jason Stanley and every other bully from my past were here, mocking me through a megaphone, I don’t think I’d stop dancing clumsily with Alex in the street. He spins me out and back in, tries to dip me, almost drops me. I yelp when it happens, laugh so hard I snort when he catches me and swings me upright onto my feet, rocking me some more.

When the song ends, we break apart and join the crowd in applause. Alex crouches for a second, and when he stands up, he’s holding out a strand of chipped purple Mardi Gras beads.

“Those were on the ground,” I say.

“You don’t want them?”

“No, I want them,” I say. “But they were on the ground.”

“Yes,” he says.

“Where there’s dirt,” I say. “And spilled booze. Possibly vomit.”

He winces, starts to lower the beads. I catch his wrist, stilling him. “Thank you,” I say. “Thank you for touching these filthy beads for me, Alex. I love them.”

He rolls his eyes, smiles, slips the beads over my neck as I duck my head.

When I look back up at him, he’s beaming at me, and I think, I love you more now than I ever have. How is it possible that this keeps happening with him?

“Can we take a picture together?” I ask, but what I’m thinking is, I wish I could bottle this moment and wear it as a perfume. It would always be with me. Everywhere I went, he’d be there too, and so I’d always feel like myself.

He takes his phone out, and we huddle together as he snaps a picture. When we look at it, he makes a sound of strangled surprise. Probably in an effort not to look so sleepy, he threw his eyes wide in the last possible second.

“You look like you saw something horrible exactly when the flash went off,” I say.

He tries to pull the phone out of my hands, but I spin away from him, jog out of reach as I text it to myself. He follows, fighting a smile, and when I hand it back, I say, “There, now that I have a copy, you can delete it.”

“I would never delete it,” Alex says. “I’m just only going to look at it when I’m alone, locked in my apartment, so that no one else ever sees my face in this picture.”

“I’m going to see it,” I say.

“You don’t count,” he says.

“I know,” I agree. I love that, being the one who doesn’t count. The one who’s allowed to see all of Alex. The one who makes him weird.

When we get back to the apartment, I ask when he’s going to let me read the short stories he’s been working on.

He says he can’t—if I don’t like them, he’ll be too embarrassed.

“You got into an amazing MFA program,” I say. “You’re obviously good. If I don’t think they’re good, I’m obviously wrong.”

He says that if I don’t think they’re good, then U of I is wrong.

“Please,” I say.

“Okay,” he says, and gets out his computer. “Just wait until I’m in the shower, okay? I don’t want to have to watch you reading it.”

“Okay,” I say. “If you have a novel, I could read that instead, since I’ll have the whole length of an Alex Nilsen shower.”

He tosses a pillow at me and goes into the bathroom.

The story really is short. Nine pages, about a boy who was born with a pair of wings. All his life, people tell him that this means he should try to fly. He’s afraid to. When he finally does, jumps off a two-story roof, he falls. He breaks his legs and wings. He never gets them reset. As he recovers, the bone heals in its misshapen form. Finally, people stop telling him that he must’ve been born to fly. Finally, he’s happy.

When Alex comes back out, I’m crying.

He asks me what’s wrong.

I say, “I don’t know. It just speaks to me.”

He thinks I’m making a joke and chuckles along, but for once, I wasn’t referencing the gallery girl who tried to sell us a twenty-one-thousand-dollar bear sculpture.

I was thinking about what Julian used to say about art. How it either makes you feel something or it doesn’t.

When I read his story, I started crying for a reason I can’t totally explain, not even to Alex.

When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn’t be my mom or my dad, and for my whole life, I’d have to walk around inside a body that kept me from ever truly knowing anyone else.

It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn’t.

“That doesn’t mean there’s anything wrong with feeling that way, though, sweetie!” Mom insisted.

“Who else do you think about being?” my dad said with his particular blunt fascination.

The fear lessened, but the feeling never went away. Every once in a while, I’d roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else’s brain and see it all.

And now I’m crying because reading this story makes me feel for the first time that I’m not in my body. Like there’s some bubble that stretches around me and Alex and makes it so we’re just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered.

I’m crying because I’m relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.